He's been in jail, explains in one scene how he likes Wal-Mart because it's "easy to steal from," warns the Moshers he'll be trouble for them, and proves it by stealing two computers. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. I t feels odd to describe a near-DIY documentary about the shifting familial values and lingering personal demons of Middle America as nothing more than an unequivocal visual triumph, but there’s a distinctively, and hauntingly, dehumanizing quality about the graphic approach of October Country.Essentially a video collaboration between photographer Donal Mosher and director Michael … That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. His photo documentary work inspired the film October Country. That country whose people are autumn people, thinking only autumn thoughts. None of the husbands are seen in the film. The movie October Country looks every bit as luminous as Mosher’s photos, and is just as captivated by the accidental beauty of the junk people … At the beginning of the film Dottie (matriarch of the featured family) tells us that without family you have nothing. October Country is a beautifully filmed portrait of an American family struggling for stability while haunted by the ghosts of war, teen pregnancy, foster care and child abuse. October Country began performing at some dances and parties before finding moderate success on the Los Angeles club scene as a supporting act to the Coasters and the Rivingtons. There is a clear sense during October Country that without each other none of them would survive. And although the Mosher clan is potentially the definition of dysfunctional, her words ring true throughout. Portions of the project have been shown in Los Angeles, New York and San Francisco's SF Camerawork as well as online at the Marjorie Wood Gallery. The only male apart from Donald is Chris, a foster child he and Dottie took in. Daniel Mosher’s “October Country” photo series is a thing of beauty, revealing the spooky vibes and ethereal quality of a small town in the Mohawk Valley. In 1967, filmmaker Denis Hoffman approached October Country with the idea of filming the group as they perform and live their daily lives. But as a documentary (directed by Michael Palmieri, with Mosher’s help), the project is problematic.

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