Dostoevsky stands head and shoulders above all other writers. “Notes from Underground” is a novella in two parts by Fyodor Dostoyevsky which was written in 1864, which is sometimes claimed to be the first existentialist work. The nameless underground man found a new role later as Raskolnikov in Crime and Punishment, and Dostoevsky's genius became apparent. Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied.

The man is never named and is generally referred to as the Underground Man. Berdyaev remarks that "Dostoevsky reveals a new mystical science of man", limited to people "who have been drawn into the whirlwind". Collected here in Penguin Classics are two of Fyodor Dostoyevsky's shorter works, Notes from Underground and The Double, translated by Ronald Wilks with an introduction by Robert Louis Jackson. Dostoevsky stands head and shoulders above all other writers. The nameless underground man found a new role later as Raskolnikov in Crime and Punishment, and Dostoevsky's genius became apparent. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. And if this wasn't genius enough we have The Brothers Karamazov, and still better we have Prince Myshkin in The Idiot. [13] Dostoyevsky's works explore the irrational, dark motifs, dreams, emotions and visions. Notes from Underground is a fictional collection of memoirs written by a civil servant living alone in St. Petersburg. And if this wasn't genius enough we have The Brothers Karamazov, and still better we have Prince Myshkin in The Idiot. Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky's groundbreaking Notes from Underground tells the story of his tortured life. Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead book. In his dismal novella the author concentrates on the emotions, feelings and thoughts of an unnamed narrator, whose biography is … Dostoevsky says that the Underground Man, though a fictional character, is representative of certain people who “not only may but must exist in our society, taking under consideration the circumstances under which our society has generally been formed.” The Underground Man is extremely alienated from the society in which he lives.

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