From his late twenties Brecht remained a lifelong committed Marxist who, in developing the combined theory and practice of his “epic theatre”, synthesized and extended the experiments of Erwin Piscator and Vsevolod Meyerhold to explore the theatre as a forum for political ideas. Although many of the concepts and practices involved in Brechtian epic theatre had been around for years, even centuries, Brecht unified them, developed the approach, and popularised it. Here is a list of websites and YouTube videos you can use to do some research into Bertolt Brecht and Epic Theatre. Bertolt Brecht, German poet, playwright, and theatrical reformer whose epic theater departed from the conventions of theatrical illusion and developed the drama as a social and ideological forum for leftist causes. Take notes under these headings: Access what you need (there is a lot there) so that you feel you’ve got a sound understanding of the genre of theatre. Read and gather information and ideas about Epic Theatre and Bertolt Brecht. Brecht discussed the priorities and approach of epic theatre in his work "A Short Organum for the Theatre". Read the simple and short material and for extended and deeper understanding explore the connections posted and affiliated too. The term "Epic Theatre" is now widely use to describe the style and techniques popularized in Germany after World War I by directors like Max Reinhardt, Erwin Piscator, and (most especially) Bertolt Brecht. Brecht’s early thoughts on Epic theatre come from Piscator. Once you have read around the practitioner, goto Assessment and submit your answers via 'Submit your Answers' section here. What is Epic Theater? Along with Constantin Stanislavski, Bertolt Brecht was one of the two most influential figures of 20th century theatre and the most significant practitioner since World War II. EPIC THEATRE AND BRECHT German Epic Theatre, and especially the works of Brecht (1898 – 1956) can be divided into two main sections. Brecht’s theories for the stage, including his well-known epic theatre form, made him a force … The first section includes the early words of Brecht, like Baal (1923), A Man’s a Man (1926) and the famous Threepenny Opera (1928). His notable plays include The Threepenny Opera and …

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